Praising the Unappreciated Wines
Choosing the delicious obscurity
After reading Jane’s recent blog post about the wine bar Terroir and its new location in trendy Tribeca, I was eager to give it a try. Not only am I obsessed with Terroir in its original East Village location, but when I heard there was another, even bigger Terroir only minutes down the 4-5-6, I was ecstatic. Terroir’s “Summer of Riesling,” wherein it’s offering only Riesling for its by-the-glass whites, exemplifies how committed the bar’s owner is to being an advocate for this misinterpreted variety. Riesling is my most favorite white wine of all, but try telling someone who drinks oaky Chardonnay from Napa that they have to order a glass of that “ultra-sweet, boring” white from Germany, and you will see a striking response.
The Rieslings my friends and I tried at Terroir were diverse, unusual and enthralling. Enjoying glasses of the oft maligned Riesling got me thinking about some of the lonely white, Italian grape varieties that get overlooked in the face of their showier cousins. Take Pigato, for example. Grown on terraced vineyards and boasting notes of flowers and a salty minerality, Pigato—one of my favorite obscure varietals—is indigenous to Liguria and is a relative of the more popular Vermentino variety. Hardly anyone has heard of it, and it’s yummy.
Malvasia, also known as Malvoisie and Malmsey in France and Britain, originates from ancient Greece and produces wines high in alcohol with some residual sugar. Most Malvasia is meant to be drunk within one to five years, although the Prince Alberico Boncompagni Ludovisi, of Fiorano fame, managed to create some superb and shockingly well-aging Malvasia wines. There’s also the late ripening, very vigorous Garganega, which grows in the Soave Classico region and is known for its light aromatics of lemon, almond, spice and appears mostly in blends. Paolo Bea’s Santa Chiara is a great place to try a complex blend, including 20 percent of the Garganega grape.
It’s easy to step into the known. It’s easy to drink that oaky Chardonnay, and there are times that call for the known quantity. However, drinking Terroir’s Rieslings, reflecting on the unsung Italian varietals, delighting in the less appreciated, I also see the beauty in the obscure. They’re new, they’re different and they’re just, well, so cool.
What Will Be In Your Glass?
Reflections on all the goodly wine to drink
Today shows another glorious morning; I can’t recall a spring time as wonderful as the one we’re enjoying this year. When I see the trees budding and the flowers blooming, I usually set new goals for myself for the months that follow. Some goals are very concrete and some are more amorphous, but I always have a very clear-cut agenda about what I’m going to drink. This year, my ambition is to taste more esoteric wines more often. I’ve officially been working as a wine professional for twenty years, and I now feel more inspired to take on new challenges than I have for years.
I have long been a fan of still Rosé in the spring and summer months. Americans are catching on to the Rosé trend, and some are even ready to make a big leap to the glorious white wines from Italy. In regard to the whites, I must say that Pigato is a relatively new wine for me and one I have enjoyed tremendously. Before I started at IWM I’d not enjoyed Gravner, Radikon and Movia to the degree that I do now, and it has been a great pleasure introducing people to these wines. Now I wonder, what’s next?
Much of that desire to expand my wine horizons comes from being in a more secure place. Some of this has to do with the extraordinary people that I work with today. IWM has a remarkable pool of talent where we are constantly pushing each other, which has created marvelous tasting opportunities. So what does the future hold for us? We are seeing not only glorious Italian wines, but wines of consequence on a more global level. Will we see Gruner Veltliner on an IWM offer? Is Schruebe truly the next big thing? I look forward to discovering the answers to these questions, expanding my reference point, and sharing my knowledge with our readers as we go forward. There are so many beautiful wines being made in Italy and beyond that it will be a pleasure to communicate this journey.
Moving into summer, I look forward to new dishes on the grill with more fish and vegetables and less meat. I look forward to white wines with racy acidity and subtle fruit. I look forward to platters of shellfish and an endless glass of Sauvignon Blanc. I look forward to the wild, the wonderful and the esoteric.
And I look forward to hearing that your next few months are filled with similar delights.
The Flavors of (Some) Italian Varietals
Master basic flavor profiles of popular Italian grapes
It seems to me that when you buy wine in a wine shop, go to a wine bar for a 5 o’clock happy hour, or get a bottle while dining at your favorite restaurant, the very first thing that the sales associate, bartender, sommelier or waiter will talk about is the flavors—and the aromas—of the chosen wine.
Without a doubt, there is a connection between grape varietal and aroma. You can always expect to find specific scents in specific wines based on their varietals and their blends, but the truth of the matter is what you get from a wine is a very personal matter and changes from both individual person to individual person and estate to estate. As difficult as it is to get ten people to agree on a place to have dinner in New York City that they all like, it’s difficult to get those same people not only to agree on all liking the same wine, but liking the same thing about it. However, as much as it may be difficult for people to agree on how to describe wines, there are qualities we can generally attribute to specific grapes.
The fun thing about wine drinking in the 21st century is that the market understands the concept of individual experience, so you can express yourself any way you want. From saying “it tastes like shoe polish” to “there are notes of tar” is perfectly normal. It’s not that you take a spoon full of shoe polish with your morning coffee and then take a dive in a vat of tar every time you walk pass a “Road Work Ahead” sign, but as our own Christy Canterbury has pointed out, taste is smell so you’re not necessarily tasting but smelling.
In wine tasting as much as everything else, practice makes perfect. If to you a wine tastes like toasted maple leaf, perhaps it does, but maybe you really want to make sure. You might want to practice tasting wine at home with some dried fruit and nuts to help you taste the corresponding flavors of your favorite wines. It is easier to make comparisons if you have both things you’re comparing. Do it enough, and you’ll be able to do it by scent alone. It’s a lot of fun when you can recognize wines by their smell alone—practice at home, give it a shot, and impress your friends at parties.
While smell and taste are highly personal, you can expect some specific flavor profiles with specific varietals. To help you out in your quest to master your next favorite party trick, here are the basic flavors to look for in some popular Italian varietals:
Sangiovese (Toscana): Dried flowers, berries like blueberry, blackberry, raspberry, or strawberry. You’ll find a really nice example in the 2006 Fontodi Chianti Classico.
Nebbiolo (Piemonte): Cherry and other dark fruit (like dried cranberries) or tar and rose petal, but please do not have a wine, tar and rose petal tasting! I would try the De Forville Nebbiolo 2007 or Massolino’s 2004 Barolo for some great aroma and flavor representation.
Nero d’Avola (Sicilia): This is one of my personal favorites. You can find many flavors; look for black cherry, plum, vanilla, tobacco and licorice. My Nero d’Avola go-to since I started at IWM has been il Moro by Valle Dell’Acate. The 2006 is great.
Palagrello Bianco (Campania): Orange blossoms, pears and peaches—grab some juicy pears and peaches and open a bottle of Alois Caiati 2005 or Vestini Campagnano 2004. I’d thrown in a couple of pieces of Reggiano while you’re at it just to complete the experience.
Pigato (white, Liguria): I love this wine! Look for apricot, peach and herbs. Both the 2008 U Baccan by Bruna and the Bisson 2007 are exceptional wines and will help you to understand this varietal.
Cortese (white, Piemonte): This is your Gavi’s varietal. Look for white flowers, white fruit like peaches, pears and apples. I would give the Ca’ dei Mandorli a shot, a wine that dips under the radar but really shows what Cortese is about.
And for those of you who have mastered the art of the nose, what are your favorite scentastic wines? What profiles can you detect and in conjunction with which varietals?







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